April 8th: Today’s Feature

April

Part II: Adrian Lester

Through conversations with various individuals in the industry, Lester has come to realise the impact that his skin tone has on how he is perceived by others. He grapples with the fact that he is often seen as a "black actor" first and foremost, rather than simply as an actor. Lester's experiences shed light on the broader issue of representation and diversity in the performing arts, emphasising the need for a more inclusive and equitable industry where artists are judged based on their craft rather than their race.

It's quite thought-provoking to consider that despite the progress we believe we've made, we still find ourselves having to defend certain decisions in 2012. However, Lester injects a glimmer of hope into the conversation. He shares his personal experience as a parent of non-white children growing up in today's society, emphasising that their world is much better than the one he experienced. Reflecting on the past two decades since he left drama school, Lester acknowledges the positive changes that have taken place in the industry.

He explains that for every five years of progress, there may be a slight setback of one year, but ultimately, the industry moves forward by three years. This means that with each step forward or backward, more non-white individuals are entering the profession, leaving behind the barriers that once prevented them from pursuing their dreams. Lester's message to those who find the current situation frustrating is that they should have witnessed the industry ten years ago to truly appreciate the progress that has been made.

Lester's optimism stems from the increasing representation of non-white individuals in the field of performing arts. He highlights the significant shift that has occurred over the years, with more people from diverse backgrounds being able to access training institutions and pursue their desired careers. This change is a testament to the evolving nature of the industry, which has become more inclusive and welcoming to individuals from all walks of life. Lester's personal experience as a parent further reinforces his belief in the positive trajectory of the industry. He sees firsthand how his children, who are not white, are growing up in a world that offers them more opportunities and acceptance than he had. This realisation fuels his optimism and encourages him to share his perspective with others.

Lester's words serve as a reminder that progress takes time and that change is often accompanied by challenges. He acknowledges that there may be setbacks along the way, but the overall trend is one of improvement and inclusivity. By sharing his own journey and the changes he has witnessed in the industry, Lester aims to inspire others to persevere and remain hopeful. He wants them to understand that the frustrations they may be experiencing now are part of a larger process of transformation.

Looking back ten years ago, Lester suggests that the current frustrations pale in comparison to the barriers that existed back then. His message is one of encouragement, urging individuals to keep pushing for change and reminding them that progress is indeed happening, even if it may not always be immediately apparent.

Aldridge has been a pioneer in the industry, setting the stage for others to follow. Lester, on the other hand, has been closely shadowing his footsteps. Lester's career has been marked by outstanding performances in various iconic roles such as Hamlet, Henry V, and Rosalind in Cheek By Jowl’s all-male production of As You Like It. Each of his performances has been met with critical acclaim, solidifying his position as a rising star in the theatre world.

Lester is carving his own path in the industry, making a name for himself through his unique approach to acting. He is breaking barriers and challenging norms, all while maintaining his own distinctive style. Lester's unconventional methods may be considered 'freewheeling' by some, but they have undoubtedly contributed to his success and set him apart from his peers.

As Lester continues to make waves in the theatre scene, it is clear that he is on a trajectory towards greatness. With each performance, he is redefining expectations and pushing boundaries. One can only hope that in the near future, Lester will be recognised not just for his unconventional methods, but for the sheer brilliance of his craft. The day when audiences anticipate an extraordinary performance from Lester as soon as he steps onto the stage is not far off.

Personal Life

Lester, a multifaceted individual with a passion for both acting and writing, tied the knot with Lolita Chakrabarti, a talented actress and writer, in the year 1997. Their love story began at the prestigious Royal Academy of Dramatic Art (RADA), where they were both honing their craft. Presently, the couple calls East Dulwich in south-east London their home, where they live with their two lovely daughters. Despite their busy schedules, they always make time for family activities and cherish the moments spent together.

In 2007, Lester took part in a Channel 4 documentary titled Empire's Children, shedding light on the experiences of the "Windrush Generation" as they migrated to the United Kingdom. Unfortunately, Lester's grandfather, Kenneth Nathaniel Lester, who was meant to be featured in the documentary, fell ill during filming in Jamaica and was unable to be interviewed. Tragically, Kenneth passed away shortly after the completion of the documentary, leaving a void in the family. Lester was deeply saddened that his grandfather never had the chance to see the documentary that aimed to honour his generation's struggles and triumphs.

Fast forward to April 2013, Lester made a notable appearance on BBC Radio 4's Front Row, participating in the Cultural Exchange segment. This unique feature allowed guests to share a piece of art that held personal significance to them. Lester chose "Redemption Song" by the legendary Bob Marley, a powerful anthem that resonated with his beliefs and values.

Furthermore, in recognition of his contributions to the arts, Lester was awarded an honorary doctorate by the University of Warwick in 2013 and received a CBE (Commander of the Order of the British Empire) in 2020.

Notably, outside of his artistic pursuits, Lester has also achieved a 4th Dan black belt in Moo Duk Kwan Taekwondo, showcasing his dedication and discipline in various aspects of his life.